Paintings made in a single surge of movement — colour thrown, dragged, and left where it lands. Each one happens once, and never again.
Each canvas here was made in a single charged moment — and it still carries that charge. Let your eyes wander the works until one holds them; that pull is information. Offer one word for what you're carrying, and the studio will read your energy back to you.
One unbroken gesture: a wandering knight, a loyal companion, and the distant windmill that became a symbol of impossible dreams. Literature reduced to pure visual poetry.
Ivaylo Peytchev paints in motion. Each canvas is a single, committed gesture — colour flung and pulled across the surface, then allowed to find its own order. Nothing is planned twice. Nothing is corrected. What looks like chaos is a decision made in one breath and never taken back.
The work moves between explosive colour and severe restraint — a festival on one wall, two colours of silence on the next. Built by hand in the studio, layered and instinctive. No editions. No reproductions. Only the original moment.
The same instinct continues beyond the canvas: into books, personal magazines, rebellious objects and new ways for people, places and ideas to tell their stories.
The canvas is the beginning, not the border. Explore the connected worlds behind the work—or ask my multilingual AI guide where to start.
Personal magazines and story experiences for people, weddings, birthdays, homes and brands—made to feel collected, not generated.
A living record of a home: its facts, care, repairs, memories and owner's soul—connected to a multilingual AI House Guardian.
Satire, speculative fiction and retro-futurist story worlds—where old paper, future machines and inconvenient questions meet.
The anti-war flamingo: art, streetwear, noise and kindness in Miami colour. A small rebellion you can wear, carry or hang on a wall.
Interested in a work, a commission, a private viewing or a creative project? Send a note and Ivaylo will reply personally with availability and details.
Don't choose with your mind. Let your eyes drift across the works until one holds them — then give me a single word for what you're carrying. I'll read it back.
Trust the first pull. Tap it.
Attuning to the canvas…